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Music and Sound for Screen BA(Hons)

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    Overview

    On our Music and Sound for Screen BA(Hons) course, you’ll learn to write music and create sound effects for film, TV, and games. You’ll also study composition, orchestration, sound design, recording, as well as performance on this professionally accredited course.

    As you move through the course, you’ll select from options that all develop your skills, to a professional level, in composition and sound design.

    Why study Music and Sound for Screen BA(Hons)

    This course will set you up for a career within audiovisual media, helping you develop your composition and sound design skills to a professional level. The course offers training in:

    • film and game music composition
    • sound design
    • Foley sound effects
    • orchestration for live and virtual instruments
    • sample library creation
    • sound editing.

    You can collaborate on projects with students from acting, filmmaking, and production courses, and you’ll get the unique chance to train with staff who are active film composers working in the UK, Europe, and Los Angeles. Choose this course and you can submit your work to professional music production libraries and, like some of our past students, hear your work on national TV networks. You’ll study in state-of-the-art professional standard facilities, and you’ll have access to a range of recording and studio spaces, including dedicated audiovisual composition and editing software. You’ll also have the chance to explore the latest new music in the annual Huddersfield Contemporary Music Festival and experience cutting-edge experimental artists at our Electric Spring Festival.

    Visiting artists will attend the University to offer insight into post-university opportunities; regular visitors include John Warhurst, Oscar and Bafta winning Sound Editor and Huddersfield graduate, and Nitin Sawhney, producer, songwriter, multi-instrumentalist, and orchestral composer. We’ll help you develop your industry contacts and professional portfolio; several of our students have had their tracks selected for use in Channel 4 and BBC programmes.

    You’ll also gain real-world experience on a relevant work placement, to prepare you for a potentially life-altering career ahead including setting up your own business.

    This course is for you if you’re keen to potentially secure a role within creative industries, including: music, games, film, sound design, content production or the media industry.

    Entry requirements

    To find out if you’re eligible to start this course in September 2025 and get more information on how to apply, please see our Clearing pages or call our Clearing Helpline on 0333 987 9000.

    If you’re interested in studying this course in September 2026, please view the 2026-27 course information.

    Course Detail

    Core modules:

    Music for the Moving Image

    This practical module will develop your key skills in screen composition, arrangement, and orchestration, including the art of creating quality mock-ups using sampled instruments. Classes will examine a range of approaches to composition for film, videogame, television, animation, and music video, and will work towards a portfolio of your own original compositions.

    Desktop Music Production 1

    This module will introduce you to relevant techniques and technologies for computer-based music production, including sequencing, sampling, arrangement, and a variety of other sound processing techniques. A range of practical work - both technical and creative - will develop your critical listening and production skills, and seminars will support you in applying these techniques to your own creative work.

    Composition 1

    The module is intended to enable you to develop your compositional abilities, through the exploration of a range of compositional techniques, with particular reference to acquiring a better understanding of rhythm, timbre, melody/contour, harmony, texture, form and notation. You will also explore the basics of instrumentation. Your creative aural imagination will be stimulated by studying and employing a variety of expressive musical languages.

    Music, Culture and Society

    This module will introduce you to a range of approaches to studying music and music technology. You will develop research, source-handling, evaluation, and critical-thinking skills and apply these to repertoires, cultures, and issues appropriate to your degree course. Linked lectures and seminars will increase your knowledge of key themes and concerns in music studies, give you opportunities to debate your ideas with others, and develop your confidence as an increasingly independent researcher.

    Performance Skills 1

    You will gain hands-on experience of a variety of key musical skills: improvisation; aural awareness; ensemble performance; and evaluating your own and others' performances. A wide range of styles and genres will be explored, and you will work with musicians relevant to your specialism as a pop, classical, or jazz performer.

    Studio Engineering and Mixing Essentials

    You will be introduced to the core concepts, theory and practical principles involved in producing, engineering and mixing popular music. You will gain practical experience in an analogue/digital recording studio, developing your ability to record and overdub a variety of sources. For the mix stage of the production process, you will then review the fundamental approaches and techniques involved in effectively processing these signals.

    Core modules:

    Sound Design for Image

    You will learn the skills needed to produce and design sound for film, television, video games, and mobile devices, working towards a coursework portfolio of practical work accompanied by professional technical documentation. The module provides practical training in location recording, dealing with equipment, making sound effects, sound design, preparing layers of audio for post-production, and the skills needed for soundtrack compilation.

    Games Audio

    This module will provide a strong understanding of methods for creating, processing and integrating audio into games. You will be able to apply these techniques to a variety of simulated games environments. Generative techniques will be applied to produce music tracks, sound effects associated with objects within games and environmental sound (such as water, wind etc). You will also gain understanding of software commonly used in this area.

    Composing Music for Film and Videogames A

    This composition module equips you with the skills needed to write original scores for film, television, and videogames. Working towards portfolios of original compositions, you will receive tuition in the technical practices of soundtrack composition: spotting cues, creating live soundtracks for film, arranging and orchestrating pre-existing music, and working with technology to create realistic instrumental sounds and effects.

    Inside the Music Business

    Inside the Music Business will introduce you to a range of issues relevant to the current music industry, from copyright, contracts and economics through to the role of the media in marketing, reviewing, and representing music. You will explore the production, distribution and revenue models of the global music business and develop the critical and analytical skills to understand these working practices and the ways they relate to your own practice as a musician. On completion of the module, you will have created the assets to represent yourself to industry as a musician and have a digital portfolio of activity related to your chosen aspect of the music industry.

    Desktop Music Production 2

    Building on the skills and knowledge acquired in Desktop Music Production 1 or AFM1208 Technology for Music, this module will provide further study of the techniques of computer-based music production. Techniques examined in-depth will include synthesis, sequencing, sampling, editing, processing and mixing techniques, as well as their creative application. Issues of pre/post production and arrangement will also be explored. You will also continue to study musical arrangement within a computer-based production context. You will explore these topics through practical technical and creative work that will improve your techno-fluency and abilities in detailed critical listening. Seminars will support the application of production techniques and ideas.

    Option modules:

    Choose one from a list which may include:

    Orchestration

    Working towards a coursework portfolio of your own creative work, you will learn about a range of a range of approaches to orchestration from the Baroque to the present day. Classes will explore the characteristics of individual instruments and strategies for combining them, including issues of balance, voicing, doubling, and effective control of orchestral textures.

    Composition 2

    You will explore a variety of techniques, resources, and notational skills to enhance and extend your work as a composer, including guidance on writing creatively for voices, mixed ensembles, percussion, invented instruments and electronics. With support provided by classes, tutorials, and workshops in a range of musical styles, you will work towards the production of a unique coursework portfolio of compositions.

    Projects in Musical Cultures

    As an increasingly confident and independent musical researcher and creative practitioner, you will undertake an in-depth exploration of a particular area of music by choosing one specialist topic from a range on offer. Using research to underpin and inspire both scholarly and artistic activity, you will engage with current debates within musicology, discover new repertoire and methodologies, and investigate music as a cultural text.

    Sonic Arts and Electronica

    Building on the technical skills and knowledge acquired in Desktop Music Production 1, this module will develop your ability to work creatively with sound, as well as your knowledge of electronic musical practices and thinking. You will be introduced to a broad range of new electronic music and models for thinking about sound as a creative medium. You will listen to, and practically explore, electronic music from a range of contexts, including electronica, EDM, IDM, acousmatic music and sound installation work. Drawing on ideas and music explored in class you will create your own original electronic compositions, showing an awareness of contemporary and historical thinking and techniques.

    Arts and Humanities Placement

    The placement year is your chance to gain hands-on experience and build on the skills you’ve developed in your first two years of study. You’ll spend up to 48 weeks (minimum 36 weeks) in a graduate-level role, sharpening your professional skills, exploring career options, and boosting your future job prospects. During your placement, you'll reflect on your performance, develop real-world skills, and learn to approach your role with a critical eye. Your placement will be monitored, and you’ll be assessed on your achievements, setting you up for success in your final year and beyond.

    Core modules:

    Composition Project

    You will build on the experience you have gained previously in composition, production, and/or songwriting modules to produce a sophisticated piece (or small set of pieces) of music based on a set of staff-led options relevant to your compositional practice. Examples might include multichannel audio composition, instrumental composition, songwriting, music production, and audiovisual composition. Tutorial support for this creative work will be provided. You will be introduced to relevant techniques such as spatialisation, the use of complex orchestration/arrangements, advanced studio production, video, interactive or mixed media work. You will develop your ability to work with such techniques creatively.

    Final Year Project

    You will work individually, or in small groups (of normally no more than six), devising, managing, delivering and evaluating your project. You will be assigned an individual tutor, to whom the project proposal is submitted for approval and who is responsible for supporting your independent work through the module, and overseeing the assessment of your project outcomes.

    Music Industry and Professional Skills

    After an initial lecture and seminar programme covering aspects of professional practice, you will complete a work-related project. Typical work-related projects include: documented placement work (for example, as a classroom assistant in a school; membership, administration or promotion of a non-university music ensemble; assisting in concert management; work as a music copyist and/or editor; music journalism; studio management etc.); researching and building a professional work-related website; releasing music commercially with associated promotion or an industry showcase event . Although there is no requirement for the work-related project to be music-specific, it should provide the student with sufficient opportunity to develop graduate and transferable skills for the workplace and must be agreed with the module leader prior to commencing assessment work.

    Option modules:

    Choose two from a list which may include:

    Sound for Film

    This module will introduce advanced concepts, theory and practical skills in the use of a broad range of equipment used for recording and mixing sound for Film and Television. The focus will be on Sound Design, Foley, sound effects creation, dialogue syncronisation and editing, track lay, and mixing in Dolby Atmos. Practical experience of location sound recording will be gained and will form an integral part of the module and its assessment. The module will develop abilities in track lay, synchronisation and editing of audio alongside a given video file in a DAW; all essential skills associated with advanced post-production editing and mixing techniques. Discussions of the theoretical, philosophical and creativity aspects of the area will underpin the module content in lectures and lab sessions.

    Composition Project (Extended)

    This module permits students to select an additional project option to broaden their study alongside the Composition Project module. Please view that description for further details.

    Advanced Projects in Musical Cultures

    As an advanced and increasingly independent musical researcher and creative practitioner, you will undertake an in-depth exploration of a particular area of music by choosing one specialist topic from a range on offer. Using research to underpin and inspire both scholarly and artistic activity, you will engage with current debates within musicology, discover new repertoire and methodologies, and investigate music as a cultural text.

    Advanced Projects in Musical Cultures (Extended)

    As an advanced and increasingly independent musical researcher and creative practitioner, you will undertake an in-depth exploration of a particular area of music by choosing one specialist topic from a range on offer. Using research to underpin and inspire both scholarly and artistic activity, you will engage with current debates within musicology, discover new repertoire and methodologies, and investigate music as a cultural text.

    An average 20.1%* of the study time on this course is spent with your tutors (either face to face or online) in lectures, seminars and workshops. Teaching is split between large group lectures and computer and studio based seminars, workshops and masterclasses. Final year studio tutorials are in small groups of one to six students and there's a welcome community of peer evaluation and feedback that is nurtured at all levels across all degree courses.

    *based on 23/24 programme specifications.

    Study and assessments will be based on your choice of modules; this can include performances, compositions, presentations, examinations, learning journals, portfolios, recitals, essays and technical documents. The final year large project is based on your choice of specialism. Your module specification/course handbook will provide full details of the assessment criteria applying to your course.

    Feedback (either written and/or verbal) is normally provided on all coursework submissions within three term time weeks – unless the submission was made towards the end of the session in which case feedback would be available on request after the formal publication of results. Feedback on final coursework is available on request after the publication of results.

    Full-time or part-time study

    This course is not available to study on a part-time basis on an evening, at the weekend, or via distance learning.

    Further Information

    The teaching year normally starts in September with breaks at Christmas and Easter, finishing with a main examination/assessment period around May/June. Timetables are normally available one month before registration.

    Your course is made up of modules and each module is worth a number of credits. Each year you study modules to the value of 120 credits, adding up to 360 credits in total for a bachelor’s qualification. These credits can come from a combination of core, compulsory and optional modules but please note that optional modules may not run if we do not have enough students interested.

    If you achieve 120 credits for the current stage you are at, you may progress to the next stage of your course, subject to any professional, statutory or regulatory body guidelines.

    1. The University of Huddersfield has been rated Gold in all three aspects of the Teaching Excellence Framework (TEF) 2023. We were the only university in Yorkshire and the Humber and the North West to achieve Gold ratings in all three aspects of the TEF among those announced in September 2023. In fact only 13 Universities, out of the 96 that were announced in September 2023, were Gold in all three ratings.

    2. Our teaching staff rank first in England for the proportion with higher degrees and teaching qualifications, as well as being top five for those holding doctorates (HESA 2025). So you’ll learn from some of the best, helping you to be the best.

    3. We are joint first in the country for National Teaching Fellowships, which mark the UK’s best lecturers in Higher Education, winning a total of 23 since 2008 (2024 data).

    4. We won the first Global Teaching Excellence Award, recognising the University’s commitment to world-class teaching and its success in developing students as independent learners and critical thinkers (Higher Education Academy, 2017).

    At Huddersfield, you'll study the Global Professional Award (GPA) alongside your degree* so that you gain valuable qualities and experiences that could help you to get the career you want, no matter what your field of study is. On completion of the Award, you'll receive a GPA certificate from the University of Huddersfield, alongside the specialist subject skills and knowledge you gain as part of your degree, which may help to set you apart from other graduates.

    Giving students access to the Global Professional Award is one of the reasons the University won ‘Best University Employability Strategy’ award at the National Graduate Recruitment Awards 2021. Find out more on the Global Professional Award webpage.

    *full-time, undergraduate first degrees with a minimum duration of three years. This does not include postgraduate, foundation, top-up, accelerated or apprenticeship degrees.

    Placements

    This course offers you the opportunity to take an optional one-year (48 week) work placement after your second year, in the UK or abroad. This provides an opportunity for you to relate theory to practice and to develop skills in a real work environment. Our teaching staff have developed excellent links with local employers and will help you to find a suitable placement if necessary.

    Previous placement providers have included Warner Music, Pinewood Studios (Avid), WigWam, Angel Studios, Shoot Productions, the Institute for Music/Acoustic Research and Co-ordination (IRCAM) in Paris, as well as schools, audio electronics companies, radio stations and various media and production houses.

    My placement has given me a huge insight into the process of working as a musician in so many different spaces in the industry; such as, composing music for film and TV, recording and presenting concerts of original music as an artist, and producing music for other artists.

    None

    Jay Witsey, Creative Music Technology BMus(Hons)

    Research excellence

    Research plays an important role in informing all our teaching and learning activities. Through research our staff remain up-to-date with the latest developments in their field, which means you develop knowledge and skills that are current and highly relevant to industry. Our staff are recognised as leading figures in their fields, as evidenced by major commissions, performances, recordings, and publications.

    In the 2021 REF, 89% of music research at Huddersfield was judged to be Internationally Excellent, with 47% of the overall submission ranked as ‘World-Leading’. In addition to a very strong profile of individual research outputs, Huddersfield’s research environment for music received the maximum 4* rating (one of only four institutions to do so), and was ranked above Royal Holloway, Cambridge, Manchester and Oxford. The impact of Huddersfield’s music research received a top-ten ranking. This acknowledged the breadth and reach of research at Huddersfield, with case studies encompassing the new discipline of sound archaeology, New York Experimentalism, and strategies for supporting women and girls working in music technology.

    For more information, please refer to our research pages.

    Take a look at what studying in the Music Technology department at the University of Huddersfield has to offer, from student experiences to facilities. Click images to find out more.

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    Green Room Recording Studio

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    Important information

    We will always try to deliver your course as described on this web page. However, sometimes we may have to make changes as set out below.

    Changes to a course you have applied for

    If we propose to make a major change to a course that you are holding an offer for, then we will tell you as soon as possible so that you can decide whether to withdraw your application prior to enrolment.

    Cancellation of a course you have applied for

    Although we always try and run all of the course we offer, we may occasionally have to withdraw a course you have applied for or combine your programme with another programme if we consider this reasonably necessary to ensure a good student experience, for example if there are not enough applicants to ensure you have a good learning experience. Where this is the case we will notify you as soon as reasonably possible and we will contact you to discuss other suitable courses with us we can transfer your application to. If we notify you that the course you have applied to has been withdrawn or combined, and you do not wish to transfer to another course with us, you may cancel your application and we will refund you any deposits or fees you have paid to us.

    Changes to your course after you enrol as a student

    We will always try to deliver your course and other services as described. However, sometimes we may have to make changes as set out below:

    Changes to option modules

    Where your course allows you to choose modules from a range of options, we will review these each year and change them to reflect the expertise of our staff, current trends in research and as a result of student feedback or demand for certain modules. We will always ensure that you have a range of options to choose from and we will let you know in good time the options available for you to choose for the following year.

    Major changes

    We will only make major changes to the core curriculum of a course or to our services if it is necessary for us to do so and provided such changes are reasonable. A major change in this context is a change that materially changes the services available to you; or the outcomes, or a significant part, of your course, such as the nature of the award or a substantial change to module content, teaching days (part time provision), classes, type of delivery or assessment of the core curriculum.

    For example, it may be necessary to make a major change to reflect changes in the law or the requirements of the University’s regulators; to meet the latest requirements of a commissioning or accrediting body; to improve the quality of educational provision; in response to student, examiners’ or other course evaluators’ feedback; and/or to reflect academic or professional changes within subject areas. Major changes may also be necessary because of circumstances outside our reasonable control, such as a key member of staff leaving the University or being unable to teach, where they have a particular specialism that can’t be adequately covered by other members of staff; or due to damage or interruption to buildings, facilities or equipment.

    Major changes would usually be made with effect from the next academic year, but this may not always be the case. We will notify you as soon as possible should we need to make a major change and will carry out suitable consultation with affected students. If you reasonably believe that the proposed change will cause you detriment or hardship we will, if appropriate, work with you to try to reduce the adverse effect on you or find an appropriate solution. Where an appropriate solution cannot be found and you contact us in writing before the change takes effect you can cancel your registration and withdraw from the University without liability to the University for future tuition fees. We will provide reasonable support to assist you with transferring to another university if you wish to do so.

    Termination of course

    In exceptional circumstances, we may, for reasons outside of our control, be forced to discontinue or suspend your course. Where this is the case, a formal exit strategy will be followed and we will notify you as soon as possible about what your options are, which may include transferring to a suitable replacement course for which you are qualified, being provided with individual teaching to complete the award for which you were registered, or claiming an interim award and exiting the University. If you do not wish to take up any of the options that are made available to you, then you can cancel your registration and withdraw from the course without liability to the University for future tuition fees and you will be entitled to a refund of all course fees paid to date. We will provide reasonable support to assist you with transferring to another university if you wish to do so.

    When you enrol as a student of the University, your study and time with us will be governed by a framework of regulations, policies and procedures, which form the basis of your agreement with us. These include regulations regarding the assessment of your course, academic integrity, your conduct (including attendance) and disciplinary procedure, fees and finance and compliance with visa requirements (where relevant). It is important that you familiarise yourself with these as you will be asked to agree to abide by them when you join us as a student. You will find a guide to the key terms here, along with the Student Protection Plan, where you will also find links to the full text of each of the regulations, policies and procedures referred to. You should read these carefully before you enrol. Please note that this information is subject to change and you are advised to check our website regularly for any changes before you enrol at the University. A person who is not party to this agreement shall not have any rights under or in connection with it. Only you and the University shall have any right to enforce or rely on the agreement.

    Equal opportunities

    The University of Huddersfield is an equal opportunities institution. We aim to create conditions where staff and students are treated solely on the basis of their merits, abilities and potential, regardless of gender, age, race, caste, class, colour, nationality, ethnic or national origins, marital status, disability, sexual orientation, family responsibility, trade union activity, political or religious belief, or age. Please visit our website to see our Equal Opportunities and Diversity Policy

    Data protection

    The University holds personal data on all enquirers, applicants and enrolled students. All such data is kept and processed in accordance with the provisions of the Data Protection Legislation. The University’s Data Protection Policy and Privacy Notices are available on the University website.

    Students’ Union membership

    Under the 1994 Education Act, students at all UK universities have the right to join, or not to join, the Students’ Union. There is no membership fee. If you choose not to join you have the right not to be disadvantaged; however, you are not entitled to vote, take part in elections, or hold any office. The following arrangements apply in order that non-Union members are not disadvantaged: Non-members are welcome to take part in the activities of Affiliated Clubs and Societies on payment of the appropriate subscription. However, they may not vote or hold office in the society or club. Union members may be offered a discounted subscription. Non-members are free to use Union facilities on the same basis as members. Welfare, catering and shops are available to non-members as well as members. Union members may be offered a discounted price.

    The Office for Students (OfS) is the principal regulator for the University.

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