About the course
Reasons to study
- Knowledge and Expertise - Music staff are active across diverse professional contexts, including as songwriters, performers, producers, sound recordists, performers, and publishers of scholarly articles and books.
- Professional Links - You’ll be part of a large community of pop music researchers and practioners, including staff looking at heavy metal, creative process, amplification and pop music performance.
- Hands-On Teaching - You will benefit from our regular research seminars and workshops and will be a member of theâ¯Centre for Research, in Music and it's Technologies (CRMT).
This course aims to develop you as a pop music practitioner, and allows you to develop your performance alongside study in either songwriting or production. You’ll have the opportunity to perform alongside a wider community of musicians in all styles, as well as to create your own original music.
This Master’s level course is designed for both music and music technology graduates, but also for learners from alternative industry or practitioner backgrounds who are looking to develop their popular music practical skills and knowledge, allowing everyone to explore new ways of creating and performing popular music.
Our aim is to combine the essential qualities of what it means to be a successful pop musician; adaptable, creative and not afraid to push the boundaries of current practice in the pursuit of innovative artistic goals.
Performing Arts at the University of Huddersfield has an international reputation, and hosts one of the largest postgraduate music communities in the UK. You will benefit from our regular research seminars and workshops, and will be a member of the Centre for Research in Music and its Technologies (CRMT) which provides a focus for popular music research in the department.
Course detail
Core modules:
Researching Music
On this module you will be introduced to a range of significant and contemporary scholarship relating to the study of music, including that pertaining to music production, composition and sonic arts, and all kinds of performance. You will learn about diverse approaches to music research, and receive training in managing research professionally and ethically. Central to the module is the development of research skills appropriate to postgraduate level work and to your own research interests and creative practices. Attendance at research seminars will offer diverse models for your own research in performance, musicology, or creative music production.
Performance 1
On this module, you will explore and perform a range of repertoire and skills appropriate to your instrument/voice or specialist route. You will identify areas of performance that are innovative, or which explore a particular dimension of the specialism, such as ensemble performance, performance utilising particular techniques or approaches to style, use of electronics, and many others. Example performance specialisms might include: Historically Informed Performance, New Music Performance, Brass Band Performance, Popular Music Performance, and more. You will identify appropriate research questions relevant to your specialism and design a recital which addresses one or more of these.
Creative Project
On this module, you undertake a substantial independent creative production project. You can undertake work in any area of creative music production that interests you and guidance will be available through staff supervision. Examples of the kinds of projects that would be relevant are an EP/album length production of one or more artists, a collection of your own songwriting or compositional work, a substantial live production (or portfolio of live work) from either mixing or performance perspectives, or a set of music videos (of your own creative work or that of others). On this module, you will undertake a substantial independent creative musical project involving composition, performance and/or production work. You can may undertake work in any area of creative music production that interests you and guidance will be available through staff supervision to ensure that the project has an appropriate scope for the time available. Examples of the kinds of projects that would be relevant are an EP/album length production of one or more artists, a collection of your own songwriting or compositional work, a substantial live production (or portfolio of live work) from either mixing or performance perspectives, a devised performance work or a set of music videos (of your own creative work or that of others). Alongside the practical element of the project, you will produce a critical commentary contextualising your work, the length of with will be determined according to the nature of your project, as agreed with your supervisor. Projects are also encouraged in which the written/research element is foregrounded, provided that there is also a practical element to the project.
Optional modules:
Advanced Desktop Music Production
On this module you will professionalise techniques in computer-based music. Focusing on modern approaches to music production, the module will deepen your skills in sound design using original synthesis and sampling as well as recording in a digital environment. This will involve multi-software workflows, the expressive use of hardware controllers and hybrid techniques combining digital and analogue processing that combine both an ‘inside the box’ approach with outboard dynamics and effects units. You will develop advanced skills in digital audio project data management required for collaborative professional work. Furthermore, you will learn sophisticated editing, mixing and mastering techniques unique to digital music production. As a critically informed production expert you will analyse production concepts using critical listening, and research and apply various information on contemporary music production found in manuals, tutorials, instructional videos and mix-throughs or derived from in-depth case studies.
Advanced Song Writing
On this module you will develop your knowledge and voice as a songwriter and create fully realised arrangements of new songs. We will explore advanced approaches to songwriting via in-depth case studies, as well as through practical work supported by lectures and seminars. You will also develop analytical and evaluative skills, in order to situate your songs in a wider context, draw on inspiration from the works of others and critically reflect on your songs. Over the course of the module, you will not only develop your technical skills in handling the elements of lyrics, musical materials, arrangements and song structure, but also your personal artistic voice, aiming to deepen your understanding of how words and music can support one another to realise a coherent artistic vision
Teaching takes a number of different forms on this course, and you will benefit from a lively curriculum taught by
leading performers and academics in their field.
Your module specification/course handbook will provide full details of the assessment criteria applying to your
course.
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Triple proof of teaching excellence: our staff rank in the top three in England for the proportion who hold doctorates, who have higher degrees, and hold teaching qualifications (HESA 2024). So, you’ll learn from some of the best, helping you to be the best.
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We are joint first in the country for National Teaching Fellowships, which mark the UK’s best lecturers in Higher Education, winning a total of 23 since 2008 (2024 data).
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We won the first Global Teaching Excellence Award, recognising the University’s commitment to world-class teaching and its success in developing students as independent learners and critical thinkers (Higher Education Academy, 2017).
Read more about academic staff at the University of Huddersfield
Entry requirements
You are required to have a minimum of a 2:2 honours degree from a recognised University or equivalent institution. Your application materials (or previous qualifications) and live audition (or documentation of your performance) should be able to demonstrate a strong understanding of performance and instrumental/vocal/other technique. Auditions should comprise of two contrasting pieces, one of which should relate to the your proposed specialism in performance.
If your first language is not English, you will need to meet the minimum requirements of an English Language qualification. The minimum of IELTS 6.5 overall with no element lower than 6.0, or equivalent. Read more about the University’s entry requirements for students outside of the UK on our International Entry Requirements page.
Student support
The school has dedicated Academic Skills Tutors (AST) who deliver a range of generic skills. The AST offers help and advice with general study skills, IT, literacy and numeracy as well as research skills. The AST may also refer students for specialist support and assessment e.g. for Dyslexia.
In line with the Equality Act 2010, the School will make reasonable adjustments in order that disabled students can fully access their course. The University's Disability Services provide information and advice to disabled students about the support available and liaises with members of staff on disability related issues.
Important information
Although we always try and ensure we deliver our courses as described, sometimes we may have to make changes for the following reasons