Acting and Performance with Creative Writing BA(Hons)

You’ll have the opportunity to explore the ways in which a play script can form the basis for a live theatre production through working together as a company to stage a short text. Training in acting, voice, and the physical can be explored through the challenge of staging the work.

You will undertake a foundational training in approaches to making live performance. You will explore workshop practice, including aspects of performance training, as well as a range of techniques and starting points for creating work. The nature of group and individual creativity will be addressed, and you will engage in at least one major collaborative public performance project. You will keep logbooks and undertake contextual research and analysis.

A series of lectures will introduce you to a range of historical performance practices from the late-Victorian period to the present. Seminars will follow up the lectures in order to probe the issues raised with reference to texts taken from a range of cultures and periods.

This module pays close attention to issues which influence what writers write and how they write it. It explores a range of techniques for writing for specific contexts and critically evaluates how contemporary writers respond to socio-political and aesthetic issues through irony, satire, parody and allegory. It also considers how literary writers can employ techniques such as performance poetry, the satirical sketch and dramatic monologue to create character, create dramatic tension and energy, free up creativity and overcome writer’s block. You'll be introduced to a number of issue-based literary and dramatic texts and will be given guided opportunities to develop your own form of expression.

You will develop knowledge and understanding of, and expertise in, the craft of creative writing by studying a representative range of contemporary, modern and pre-Twentieth century prose and poetry. You will learn how the formal, technical and stylistic elements of creative texts are used to enable, effect and complement intention, theme and content. You will apply your knowledge by writing in a variety of forms and deploying a range of techniques. You may choose to specialise in writing prose, to specialise in writing poetry, or to write in both genres—again according to your choice. Although course materials will be differentiated to support specialisation, exemplar and stimulus materials will include both prose and poetry. You will demonstrate theoretical as well as practical learning by critically commenting on your own and others’ work in the light of your study of craft.

The aim of this module is to allow you to participate in and analyse a process leading to a performance or performance-related event (installation, series of workshops, etc) and also to study in detail the text or material which forms the basis for the work. You will contribute in one or more roles within a creative process which will be staff initiated and/or directed, developing and extending your own skills and knowledge.  Typical examples might include: a Renaissance text, a devised performance, a contemporary playtext, a filmed performance, a piece of live/performance art, or a series of Applied Theatre workshops. You will document the process in detail using analysis and reflection. Research and discussion will form an integral part of each process, and Academic Skills and PDP reflections will be embedded in the curriculum.

You’ll have the opportunity to undertake a training project in one of a range of theatre skill areas, such as directing, performing, physical theatre, technical theatre, or workshop facilitation. A programme of training will help to prepare you to undertake an independent project which demonstrates your skills and understandings.

This module introduces you to practices and contexts of production management in film and non-live television production. Analysing practices, processes and roles in production management, you will examine the evolution of these roles and practices in response to technological, economic and cultural change. You will develop the ability to apply a critical understanding to production management as well as technical competencies in tasks associated with production in different settings. These will include where possible, location scouting and management, and legal and regulatory requirements such as budgeting and fees.

In this module you will examine contemporary cinema as a global media industry, with a particular emphasis on the processes of globalisation and circulation that allow film texts to become meaningful far outside the contexts in which they were made. While the global dominance of Hollywood is central to this, cultural influences, values and meanings flow in multiple directions. You will develop knowledge of key theories in film and global media studies, including theories of globalisation, cultural hybridity and exchange, national identities, and imagined communities. By focusing not only on the films themselves, but on their production, distribution, promotion and reception, the module provides you with a detailed understanding of how and why cinema spreads around the globe, and the tensions this cultural flow creates at a political, social, economic and cultural level.

This module provides a practical orientation in some of the main genres of film and television, and a training in how to write for them. You will analyse and discuss the narrative structures, character types, and other conventions of a range of genres, and try your hand at writing them yourself. These genres could range from documentary to sitcom, from horror to romantic comedy, or from action movie to period costume drama. Finally, you will become proficient at writing in a particular genre, which you will select from those you have studied. You will produce a script according to a genre-specific brief, and then reflect on the process of writing to the constraints of the familiar generic conventions of the film/television industry.

This module is intended to explore the boundaries of genre: the hazy area between fiction and non-fiction. Through study of exemplary texts, you will become acquainted with a variety of experimental narrative and poetic possibilities which they can apply to their own writing practice. You will produce a portfolio of work—narrative fiction, poetry or hybrid/experimental forms to demonstrate different approaches to innovative writing. A self-reflective commentary on intentions and the creative process will accompany the portfolio.

You will contribute your artistic skills to the preparation of a staff-led performance , developing and extending your own skills and knowledge. You will document the process and share the results of your analysis through reflective reports. The project will be rooted in an area of staff research and teaching expertise, and its initial focus will be staff initiated. Typical examples might include: contemporary or classical texts; musical theatre; a filmed performance; a piece of devised work. Although the performance may be staff directed, you will be expected to take clear responsibility and initiative for co-ordinating different aspects of the process and/or for running sessions.

This module takes the form of a Working Party research process in which the group collectively researches, designs and delivers a Panel Session within a ‘Conference’ on a set topic chosen from a range of options. At that Session, each of you will present a provocation or make an alternative research presentation. Initially, the group works with the tutor on gaining a broad understanding of the field in question and designs a Call for Papers which summarises the field and identifies the main questions and debates. Each of you then respond to their Call for Papers by designing a detailed proposal for a research process which will culminate in a contribution to the Panel Session. There is scope for creativity in the design of individual presentations and in the curatorship of the event.

The Final Year Project is an opportunity to demonstrate practical skills in a significant theatre or performance role. Building on skills developed through earlier study, you will be able to negotiate a practical project that may focus on performing, directing, applied theatre practice, writing or technical and production skills. With input from a supervisor, you will then be asked to work largely independently to deliver the agreed project. Many of the practical projects appear in the Department’s annual Common Grounds Festival.