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English Literature with Creative Writing BA(Hons)

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Overview

If you love books and dream of writing your own, our English Literature with Creative Writing BA(Hons) course is for you.

During the course, you’ll read, and discuss some of the greatest works ever written, while discovering your own voice and developing your talent as a writer. You'll also gain applied skills as well as academic knowledge.

Why study English Literature with Creative Writing BA(Hons)

Studying Creative Writing alongside English Literature gives you the chance to explore literature from a writer’s perspective and to develop your own skills – through understanding and enjoyment of some of the world’s best literature. This combination of study will help you grow into a reflective, independent thinker and effective communicator.

On this course, you’ll learn to navigate digital resources, as well as how to pitch your ideas using the latest media, acquiring the kind of practical, transferable skills needed in the working world. These include critical thinking, researching, creative problem-solving, and communicating and arguing persuasively.

As you sharpen your ideas and fine-tune your writing, you’ll be preparing yourself for a potentially exciting career ahead.

You’ll also be given the chance to:

  • Head out on a relevant work placement, enhancing your employability by boosting your skillset.
  • Choose from a range of modules, as well as diverse forms of coursework assessment (but no exams).
  • Take your studies out of the classroom on a range of exciting field trips; past field trips have visited The Bronte Parsonage, The British Library and Shakespeare's Globe in London.
  • Get involved behind-the-scenes at the Huddersfield Literature Festival.
  • Establish yourself as a professional writer through our in-house publisher, Grist Books’ Grist Creative Writing Project.

By reading and studying the work that interests you on this English Literature and Creative Writing degree, you can be inspired to take your own creative writing further.

Your creative writing tutors are all published authors of critically acclaimed books, with expertise in short fiction, non-fiction, poetry, novels, and script writing. They're passionate about their subject and will encourage you to explore your talents. Entry requirements

Entry requirements

BBB-BCC at A Level .

120-104 UCAS tariff points from a combination of Level 3 qualifications.

Merit in T Level .

DMM-MMM in BTEC Level 3 Extended Diploma.

  • Access to Higher Education Diploma with 45 Level 3 credits at Merit or above.
  • 120-104 UCAS tariff points from International Baccalaureate qualifications.

​Applications from international students will be considered on an individual basis, and with advice from the University's International Office.

Offers will be subject to an interview, after which you will be invited to attend an Applicant Visit Day, at which you will have the opportunity to meet staff and current students. Read more about the interview process on our Interviews, auditions and portfolio pages.

If your first language is not English, you will need to meet the minimum requirements of an English Language qualification. The minimum for IELTS is 6.5 overall with no element lower than 6.0, or equivalent. Read more about the University’s entry requirements for students outside of the UK on our International Entry Requirements page.

Other suitable experience or qualifications will be considered.  For further information please see the University's minimum entry requirements.

Course Detail

Core module:

Critical Thinking

Critical thinking enables us to go beyond the surface of information, using analytical skills to dissect, question, and evaluate ideas with a detective's curiosity and a scientist's precision. This skillset is common to all disciplines in the Humanities, where the challenge lies in unravelling complexities, probing assumptions, and exploring the neglected features of human culture, language and history. The module will hone your intellectual skills in reasoning and close analysis, improve your ability to present arguments effectively, and equip you to plan and conduct an independent research project. This module will also provide support for planning your personal and career development.

Introduction to Creative Writing

This module aims to develop creative thinking alongside Creative Writing skills. It also aims to clarify the principles of good writing and to enable you to reflect upon and improve your own abilities. It will also cover a variety of related academic skills in organisation of research, revising drafts and preparation of the final copy.

Introduction to English Literature

This module introduces you to a diverse range of literary texts, representing the principal genres on which the Western literary tradition is built. It also explores how these genres have been adapted, modified, and reformed in response to historical and cultural change. It helps you situate this knowledge in relation to overarching questions about the key concepts, skills and terms used throughout the study of literature at university level.

Introduction to English Language

This module introduces students to the study of the English language. Students will explore primarily descriptive and some theoretical approaches to the English language and be introduced to a range of sub-disciplinary areas in the field of language study like phonology, phonetics, syntax, semantics, pragmatics, and sociolinguistics. The module focuses on the establishing core linguistic concepts relevant to the study of English and building the practical skills necessary to analyse language structure and interpret English language data. The module will familiarize students with a wide range of terminology, concepts, approaches, methods of analysis and key scholars.

Core modules:

Developing Your Craft

You will develop knowledge and understanding of, and expertise in, the craft of creative writing by studying a representative range of contemporary, modern and pre-Twentieth century prose and poetry. You will learn how the formal, technical and stylistic elements of creative texts are used to enable, effect and complement intention, theme and content. You will apply your knowledge by writing in a variety of forms and deploying a range of techniques. You may choose to specialise in writing prose, to specialise in writing poetry, or to write in both genres—again according to your choice. Although course materials will be differentiated to support specialisation, exemplar and stimulus materials will include both prose and poetry. You will demonstrate theoretical as well as practical learning by critically commenting on your own and others’ work in the light of your study of craft.

Writing Short Stories

You will be introduced to a number of techniques of composition and will be given guided opportunities to develop your own forms of expression. You will be expected to read widely from modern and contemporary short stories. This module enables you to experiment with form and expression in story writing and to be constructively critical of their work. You will be introduced to a number of types of short story and will be given guided opportunities to develop your own forms of expression.

The Gothic

Gothic emerged as the dark twin of Enlightenment in the eighteenth century and has remained perennially popular ever since. Gothic novels, ghost stories and horror films offer scintillating and often scandalous popular entertainment, while counterbalancing the values of modernity and order celebrated in realism and rational philosophy. This module will explore the origins and development of the Gothic, from its emergence in the age of revolutions and Regency decadence, through nineteenth-century parodies and re-appropriations, to its manifold transformations within the cultural industries of the twentieth and twenty-first centuries.

Work Experience Placement

You will be expected either to complete a graduate or professional level work placement – or, as an alternative an enterprise or citizenship project with a tangible end product (e.g. feasibility study for turning hobby/idea into a personal business or setting up campaign group/developing volunteering/charity initiative) plus associated documentation – plus a self-reflective evaluation of the process. In preparation for this you will undertake career planning and placement research, supported by workshops and tutorial meetings.

Option modules:

Choose two from a list which may include:

Shakespeare Now and Then

No English degree would be complete without the opportunity to study the greatest writer in the language – Shakespeare. This module is your chance to do just that, both by situating Shakespeare’s plays in relation to their historical and cultural backgrounds, and by considering their rejuvenation in recent film and stage productions. For a greater understanding of Renaissance drama, the module will also compare Shakespeare’s work to some of his contemporaries, such as Marlowe, Jonson, or Webster.

American Poetry from the 19th Century to the Present Day

This module takes a tour through modern and contemporary American poetry. We’ll explore history, politics, identity, and competing ideas of what is means to be ‘American’, by studying the work of 10 extraordinary poets. We’ll be exploring American poetry from the mid-nineteenth century to the present day, looking at significant poetic movements and sociopolitical contexts. The module explores a range of poets which may include Emily Dickinson, Sylvia Plath, Claudia Rankine, and Robert Lowell.

The Victorian Novel

The nineteenth century was the period in which the novel was the dominant literary form, in the wake of the heyday of Romantic poetry and before the advent of cinema. In this module we will study and analyse a selection of novels that represent some of the most significant developments in the genre during the Victorian age. We will explore the ways in which the Victorian novel reflected the most important issues of the day, from industrialisation and political reform to women’s rights and class conflict. The module will also investigate the significance of novelistic subgenres such as Sensation fiction and the late gothic novel during the second half of the nineteenth century, mapping these onto shifting attitudes towards the politics of gender, race and empire.

Twentieth Century Fiction

This module gives you the chance to study some of the most exciting and experimental novels ever written. Beginning at the start of the twentieth century, with ground breaking works of modernist fiction by the likes of James Joyce and Virginia Woolf, you will study innovative new developments in form, style, and technique, as well as the historical context behind these transformative texts. The module then introduces you to the postmodernist experimentation of the later twentieth century. Together, we will explore new departures in narrative, style and language; the relationship between fiction, history and text; and the breakthrough novels that shaped the twentieth century.

Arts and Humanities Placement

The placement year is your chance to gain hands-on experience and build on the skills you’ve developed in your first two years of study. You’ll spend up to 48 weeks (minimum 36 weeks) in a graduate-level role, sharpening your professional skills, exploring career options, and boosting your future job prospects. During your placement, you'll reflect on your performance, develop real-world skills, and learn to approach your role with a critical eye. Your placement will be monitored, and you’ll be assessed on your achievements, setting you up for success in your final year and beyond.

Core modules:

Creative Writing Project: Going Public

This module aims to support you in the production of a portfolio of original work in a category to be negotiated with the tutor. The production of a self-reflective commentary on the creative process is integral to the project. You'll be asked to provide a project proposal outlining the content of your project. Regular tutorials will be available to help you manage your time and offer constructive feedback to help with rewriting and drafting of creative work. It is recognised that a single piece of creative work may not be appropriate for all students, so a portfolio may contain a mixture of poetry and prose or other kinds of creative writing.

World Literature

World Literature is a module that invites you to look beyond the “Englishness” of English Literature. Your reading list will take you on a voyage of discovery around different cultures, countries, and continents, which you will explore through their literary texts. These texts will reflect both the global reach of the English language and the enthralling experience of reading works in translation. Besides embracing the challenges posed by studying works from unfamiliar cultures and traditions, this module will consider some of the important questions raised by the study of world literature, such as the nature of hybridity, the limitations of the canon, and the globalisation of literature.

Public Humanities

This module aims to develop skills enabling you to communicate the value and importance of literary study to a non-specialist audience. More broadly, you'll be encouraged to think about the real-world applications of a degree in English Literature, and about the role of the humanities in challenging and changing society. The module is based around, and explores numerous strategies for community and public engagement, with an emphasis on considering different ways in which literary study can be taken outside the academy and into society.

Experimental Writing

This module is intended to explore the boundaries of genre: the hazy area between fiction and non-fiction. Through study of exemplary texts, you will become acquainted with a variety of experimental narrative and poetic possibilities which they can apply to their own writing practice. You will produce a portfolio of work—narrative fiction, poetry or hybrid/experimental forms to demonstrate different approaches to innovative writing. A self-reflective commentary on intentions and the creative process will accompany the portfolio.

Option modules:

Choose two from a list which may include:

Extraordinary Gentlemen: Masculinity and Popular Fiction in the Nineteenth Century

The late nineteenth century witnessed surging interest in the market for popular fiction and the emergence of new genres that responded to and helped to shape public attitudes to empire and criminality through the invention of characters that embodied various forms of heroic and/or demonic masculinity. The ‘Extraordinary Gentlemen’ of this era of popular fiction have retained an appeal that has proved resilient to transformations in attitudes to national identity, class and gender, as well as to the challenging of stigmas associated with ‘otherness’ and queered identities. In this module we will try to understand the basis for the appeal of ‘Extraordinary Gentlemen’ for late-Victorian and Edwardian audiences, and to examine their plasticity and openness to subsequent adaptation.

Twentieth Century Drama

The twentieth century saw a golden age of experimental playwriting, to rival any since ancient Greece. From the pathos of Arthur Miller’s resurrection of tragedy to the hilarity of Dario Fo’s farces; from the politically motivated criticism of Bertolt Brecht’s plays to the bafflingly enigmatic absurdities of Samuel Beckett’s; from the witty repartee of Tom Stoppard’s dialogue to the grotesque brutality of Sarah Kane’s in-yer-face theatre – this is a unit in which no two weeks are even remotely the same. Besides embarking on an odyssey of innovation and controversy in modern drama, this module will also take you far beyond the English-speaking world, giving you a chance to study playwrights from a range of countries who changed the face of the western tradition of dramatic literature.

Twentieth Century Poetry

This module explores British poetry produced in the twentieth century. We may study poets from England, Wales, Scotland, and Ireland. There will be a consideration of political events and their impact on poetry. This may include The Troubles in Ireland and the Thatcher government in Britain. There will also be an exploration of sociopolitical and minority identities which may include gender, race, sexuality, and disability. We will go on a journey, exploring different poetic movements and the development of poetry from the early to late twentieth century.

Voices of the Holocaust

On this module we will study the Holocaust through the words of those who survived and/or bore witness to it. Bringing together both literary and historical perspectives, we will approach this bleak yet defining episode of human history in a unique interdisciplinary fashion, focusing on non-fictional texts such as memoirs, diaries, and verbatim theatre. By studying how those who witnessed the events of the Holocaust chose to put the experience into words, we will attempt to understand these events neither in terms of traditional history textbooks nor in terms of their representation in our culture, but in terms of some of the individual stories behind it. This will allow us better to grasp issues such as trauma, memorialisation, the relationship between testimony and truth, and the difficulties involved in putting the events of the Holocaust into words.

An average 15.7%* of the study time on this course is spent with your tutors (either face to face or online) in lectures, seminars and workshops. You'll have the opportunity to develop your learning through lectures and seminars on particular authors and genres. You will also be able to take part in workshops where you might learn how to write better essays, produce a digital artefact or design a research project. You will also be supported by regular meetings with your personal tutor who will help you to reflect on your strengths and identify ways in which you can improve.

*based on 23/24 programme specifications.

Creative Writing at Huddersfield is taught by a team of award-winning writers and is assessed by a combination of creative, critical and reflective writing. You will have the chance to experience a broad range of assessment, which may be a combination of essays, presentations, research projects, and podcasts. You will encounter some topics which may be less familiar to you such as critical theory or digital humanities.

Your module specification/course handbook will provide full details of the assessment criteria applying to your course.

Feedback (either written and/or verbal) is normally provided on all coursework submissions within three term time weeks – unless the submission was made towards the end of the session in which case feedback would be available on request after the formal publication of results. Feedback on exam performance/final coursework is available on request after the publication of results.

Full-time or part-time study

You can choose to study this course on a full or part-time basis. Our part-time students attend modules at the same time as our full-time students, alongside the standard full-time timetable.

Further Information

The teaching year normally starts in September with breaks at Christmas and Easter, finishing with a main examination/assessment period around May/June. Timetables are normally available one month before registration.

Your course is made up of modules and each module is worth a number of credits. Each year you study modules to the value of 120 credits, adding up to 360 credits in total for a bachelor’s qualification. These credits can come from a combination of core, compulsory and optional modules but please note that optional modules may not run if we do not have enough students interested.

If you achieve 120 credits for the current stage you are at, you may progress to the next stage of your course, subject to any professional, statutory or regulatory body guidelines.

  1. The University of Huddersfield has been rated Gold in all three aspects of the Teaching Excellence Framework (TEF) 2023. We were the only university in Yorkshire and the Humber and the North West to achieve Gold ratings in all three aspects of the TEF among those announced in September 2023. In fact only 13 Universities, out of the 96 that were announced in September 2023, were Gold in all three ratings.

  2. Further proof of teaching excellence: our staff rank in the top three in England for the proportion who hold doctorates, who have higher degrees, and hold teaching qualifications (HESA 2024). So, you’ll learn from some of the best, helping you to be the best.

  3. We are first in the country for National Teaching Fellowships, which mark the UK’s best lecturers in Higher Education, winning a total of 22 since 2008 (2023 data).

  4. We won the first Global Teaching Excellence Award, recognising the University’s commitment to world-class teaching and its success in developing students as independent learners and critical thinkers (Higher Education Academy, 2017).

At Huddersfield, you'll study the Global Professional Award (GPA) alongside your degree* so that you gain valuable qualities and experiences that could help you to get the career you want, no matter what your field of study is. On completion of the Award, you'll receive a GPA certificate from the University of Huddersfield, alongside the specialist subject skills and knowledge you gain as part of your degree, which may help to set you apart from other graduates.

Giving students access to the Global Professional Award is one of the reasons the University won ‘Best University Employability Strategy’ award at the National Graduate Recruitment Awards 2021. Find out more on the Global Professional Award webpage.

*full-time, undergraduate first degrees with a minimum duration of three years. This does not include postgraduate, foundation, top-up, accelerated or apprenticeship degrees.

Placements


The course offers a compulsory 5 week work placement in Year 2. If you’re studying full-time, this course also offers an optional one-year (48 weeks) work placement after the second year, in the UK or abroad. This will give you the opportunity to gain valuable hands-on experience, insight into your chosen career and open up your graduate employment prospects. Our Placement Unit and academic staff have excellent industry links and can support you in applying for and finding your placement(s), as well as during your placement year.

Recent graduates have taken placements at Pen and Sword Books, Kirklees TV, Numberworks & Words, The Oracle Magazine & Events, Bradford Museums & Galleries, Chol Theatre, Babel-The Language Magazine, Reabrook Ltd, HOOT, John Deere Ltd and a range of primary and secondary schools.

I did my work placement with Grist Publishing, the University of Huddersfield in house publishing company – it taught me how to work in a team and what to expect when working alongside authors, and instructing clients, as well as more about how the publishing industry operates.

None

Blythe Beresford, English Literature with Creative Writing BA(Hons) completed placement at Grist Publishing

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Further Study

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Research Excellence

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Important information

We will always try to deliver your course as described on this web page. However, sometimes we may have to make changes as set out below.

Changes to a course you have applied for

If we propose to make a major change to a course that you are holding an offer for, then we will tell you as soon as possible so that you can decide whether to withdraw your application prior to enrolment.

Cancellation of a course you have applied for

Although we always try and run all of the course we offer, we may occasionally have to withdraw a course you have applied for or combine your programme with another programme if we consider this reasonably necessary to ensure a good student experience, for example if there are not enough applicants to ensure you have a good learning experience. Where this is the case we will notify you as soon as reasonably possible and we will contact you to discuss other suitable courses with us we can transfer your application to. If we notify you that the course you have applied to has been withdrawn or combined, and you do not wish to transfer to another course with us, you may cancel your application and we will refund you any deposits or fees you have paid to us.

Changes to your course after you enrol as a student

We will always try to deliver your course and other services as described. However, sometimes we may have to make changes as set out below:

Changes to option modules

Where your course allows you to choose modules from a range of options, we will review these each year and change them to reflect the expertise of our staff, current trends in research and as a result of student feedback or demand for certain modules. We will always ensure that you have a range of options to choose from and we will let you know in good time the options available for you to choose for the following year.

Major changes

We will only make major changes to the core curriculum of a course or to our services if it is necessary for us to do so and provided such changes are reasonable. A major change in this context is a change that materially changes the services available to you; or the outcomes, or a significant part, of your course, such as the nature of the award or a substantial change to module content, teaching days (part time provision), classes, type of delivery or assessment of the core curriculum.

For example, it may be necessary to make a major change to reflect changes in the law or the requirements of the University’s regulators; to meet the latest requirements of a commissioning or accrediting body; to improve the quality of educational provision; in response to student, examiners’ or other course evaluators’ feedback; and/or to reflect academic or professional changes within subject areas. Major changes may also be necessary because of circumstances outside our reasonable control, such as a key member of staff leaving the University or being unable to teach, where they have a particular specialism that can’t be adequately covered by other members of staff; or due to damage or interruption to buildings, facilities or equipment.

Major changes would usually be made with effect from the next academic year, but this may not always be the case. We will notify you as soon as possible should we need to make a major change and will carry out suitable consultation with affected students. If you reasonably believe that the proposed change will cause you detriment or hardship we will, if appropriate, work with you to try to reduce the adverse effect on you or find an appropriate solution. Where an appropriate solution cannot be found and you contact us in writing before the change takes effect you can cancel your registration and withdraw from the University without liability to the University for future tuition fees. We will provide reasonable support to assist you with transferring to another university if you wish to do so.

Termination of course

In exceptional circumstances, we may, for reasons outside of our control, be forced to discontinue or suspend your course. Where this is the case, a formal exit strategy will be followed and we will notify you as soon as possible about what your options are, which may include transferring to a suitable replacement course for which you are qualified, being provided with individual teaching to complete the award for which you were registered, or claiming an interim award and exiting the University. If you do not wish to take up any of the options that are made available to you, then you can cancel your registration and withdraw from the course without liability to the University for future tuition fees and you will be entitled to a refund of all course fees paid to date. We will provide reasonable support to assist you with transferring to another university if you wish to do so.

When you enrol as a student of the University, your study and time with us will be governed by a framework of regulations, policies and procedures, which form the basis of your agreement with us. These include regulations regarding the assessment of your course, academic integrity, your conduct (including attendance) and disciplinary procedure, fees and finance and compliance with visa requirements (where relevant). It is important that you familiarise yourself with these as you will be asked to agree to abide by them when you join us as a student. You will find a guide to the key terms here, along with the Student Protection Plan, where you will also find links to the full text of each of the regulations, policies and procedures referred to. You should read these carefully before you enrol. Please note that this information is subject to change and you are advised to check our website regularly for any changes before you enrol at the University. A person who is not party to this agreement shall not have any rights under or in connection with it. Only you and the University shall have any right to enforce or rely on the agreement.

Equal opportunities

The University of Huddersfield is an equal opportunities institution. We aim to create conditions where staff and students are treated solely on the basis of their merits, abilities and potential, regardless of gender, age, race, caste, class, colour, nationality, ethnic or national origins, marital status, disability, sexual orientation, family responsibility, trade union activity, political or religious belief, or age. Please visit our website to see our Equal Opportunities and Diversity Policy

Data protection

The University holds personal data on all enquirers, applicants and enrolled students. All such data is kept and processed in accordance with the provisions of the Data Protection Legislation. The University’s Data Protection Policy and Privacy Notices are available on the University website.

Students’ Union membership

Under the 1994 Education Act, students at all UK universities have the right to join, or not to join, the Students’ Union. There is no membership fee. If you choose not to join you have the right not to be disadvantaged; however, you are not entitled to vote, take part in elections, or hold any office. The following arrangements apply in order that non-Union members are not disadvantaged: Non-members are welcome to take part in the activities of Affiliated Clubs and Societies on payment of the appropriate subscription. However, they may not vote or hold office in the society or club. Union members may be offered a discounted subscription. Non-members are free to use Union facilities on the same basis as members. Welfare, catering and shops are available to non-members as well as members. Union members may be offered a discounted price.

The Office for Students (OfS) is the principal regulator for the University.

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