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Film Studies and English Literature BA(Hons)

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Start Dates

21 September 2026

Duration

3 years full-time 4 years inc. placement year

UCAS Tariff

112-104

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About this course

Overview

Why choose Huddersfield for this course?

  • Analyse, write, and create across literature and film, blending page and screen.
  • Hands-on experience with industry-standard production facilities and projects.
  • Build transferable skills for careers in media, publishing, and creative industries.

Explore the intersection of written and visual storytelling on our Film Studies and English Literature degree. You’ll analyse texts you love while learning how to craft stories for both the page and the screen.

Taught by internationally recognised professors, researchers, and media practitioners, you’ll benefit from hands-on experience in industry-standard production facilities within the Yorkshire Film and Television School. You’ll develop creative, technical, and analytical skills, including film analysis, screenwriting, video and audio production, and persuasive writing.

With English Literature, you’ll study a wide range of texts and genres, from contemporary poetry and experimental fiction to Victorian novels and Elizabethan drama. You’ll have opportunities to explore screenwriting, adapt literary works, and apply your skills in real-world projects.

Your learning will be enriched by field trips, placements, project work, and involvement in events like the Huddersfield Literature Festival. You’ll gain transferable skills that prepare you for careers in media, publishing, copywriting, editing, or film production.

This degree combines creative practice with academic insight, giving you the freedom to explore stories across literature and film while building a portfolio that reflects your unique voice.

Career opportunities after the course *

Digital Marketing Executive

Communications Officer

Marketing Executive

Fundraiser

*Lightcast

Who can apply?

Entry Requirements

BBC-BCC at A Level.
112-104 UCAS tariff points from a combination of Level 3 qualifications.
Merit at T Level.
DMM-MMM in BTEC Level 3 Extended Diploma.
Merit in UAL Level 3 Extended Diploma.
Merit in RSL Level 3 Extended Diploma.
Access to Higher Education Diploma with 45 Level 3 credits at Merit or above.
112-104 UCAS tariff points from International Baccalaureate qualifications.

Applications from international students will be considered on an individual basis, and with advice from the University's International Office.

If your first language is not English, you will need to meet the minimum requirements of an English Language qualification. The minimum for IELTS is 6.0 overall with no element lower than 5.5, or equivalent. Read more about the University’s entry requirements for students outside of the UK on our International Entry Requirements page.

Other suitable experience or qualifications will be considered. For further information please see the University's minimum entry requirements.

What will you learn?

Course Details

Critical thinking enables us to go beyond the surface of information, using analytical skills to dissect, question, and evaluate ideas with a detective's curiosity and a scientist's precision. This skillset is common to all disciplines in the Humanities, where the challenge lies in unravelling complexities, probing assumptions, and exploring the neglected features of human culture, language and history. The module will hone your intellectual skills in reasoning and close analysis, improve your ability to present arguments effectively, and equip you to plan and conduct an independent research project. This module will also provide support for planning your personal and career development.

This module is your gateway into the world of English literature - from epic adventures and timeless tragedies to modern classics. You’ll explore the major genres that have defined Western literature, and see how writers over time have shaped and broken its rules. Along the way, you’ll pick up the key ideas, tools and skills that will guide you through studying literature on your degree, helping you read deeper, think sharper, and write with confidence.

This module introduces you to different forms of analysis of media texts, ranging from industry-produced, professional media to user-generated content. It explores forms of textuality and their importance in the interplay of culture and communication across different textual formats including written, spoken, and audio-visual. It explores both mass media, such as film, television, radio and print, and digital platforms. The module equips you with the analytical skills to understand the construction and processes of meaning-making in media content and introduces key concepts in the study of media texts such as of genre, history, and structure.

The module introduces you to a range of video formats and technologies: mobile, online, television and video. You will be provided with the essential recording and editing skills necessary to produce a video output, and to understand the language and concepts required to critically evaluate video content.

You will also choose 1 optional modules in this year. The current optional modules are:

The module introduces you to a range of audio formats and technologies: mobile, online, radio and podcast. You will be provided with the essential recording, editing and studio skills necessary to produce an audio output, and to understand the language and concepts required to critically evaluate audio content.

This module introduces you to a range of types and styles of journalistic writing. You will also be guided to develop transferable skills to write for a broad range of media formats. You will engage with key concepts related to the practice of writing and analyse material online, in magazines and newspapers and in broadcasts. Through regular writing activities you will develop and hone your writing skills.

For more information on when and how we update our modules please see the ‘Legal Information’ section below.

In this module you will examine contemporary cinema as a global media industry, with a particular emphasis on the processes of globalisation and circulation that allow film texts to become meaningful far outside the contexts in which they were made. While the global dominance of Hollywood is central to this, cultural influences, values and meanings flow in multiple directions. You will develop knowledge of key theories in film and global media studies, including theories of globalisation, cultural hybridity and exchange, national identities, and imagined communities. By focusing not only on the films themselves, but on their production, distribution, promotion and reception, the module provides you with a detailed understanding of how and why cinema spreads around the globe, and the tensions this cultural flow creates at a political, social, economic and cultural level.

You will be expected either to complete a graduate or professional level work placement – or, as an alternative an enterprise or citizenship project with a tangible end product (e.g. feasibility study for turning hobby/idea into a personal business or setting up campaign group/developing volunteering/charity initiative) plus associated documentation – plus a self-reflective evaluation of the process. In preparation for this you will undertake career planning and placement research, supported by workshops and tutorial meetings.

You will also choose 3 optional modules in this year. The current optional modules are:

This module takes a tour through modern and contemporary American poetry. We’ll explore history, politics, identity, and competing ideas of what is means to be ‘American’, by studying the work of 10 extraordinary poets. We’ll be exploring American poetry from the mid-nineteenth century to the present day, looking at significant poetic movements and sociopolitical contexts. The module explores a range of poets which may include Emily Dickinson, Sylvia Plath, Claudia Rankine, and Robert Lowell.

No English degree would be complete without the opportunity to study the greatest writer in the language – Shakespeare. This module is your chance to do just that, both by situating Shakespeare’s plays in relation to their historical and cultural backgrounds, and by considering their rejuvenation in recent film and stage productions. For a greater understanding of Renaissance drama, the module will also compare Shakespeare’s work to some of his contemporaries, such as Marlowe, Jonson, or Webster.

This module gives you the chance to study some of the most exciting and experimental novels ever written. Beginning at the start of the twentieth century, with ground breaking works of modernist fiction by the likes of James Joyce and Virginia Woolf, you will study innovative new developments in form, style, and technique, as well as the historical context behind these transformative texts. The module then introduces you to the postmodernist experimentation of the later twentieth century. Together, we will explore new departures in narrative, style and language; the relationship between fiction, history and text; and the breakthrough novels that shaped the twentieth century.

The nineteenth century was the period in which the novel was the dominant literary form, in the wake of the heyday of Romantic poetry and before the advent of cinema. In this module we will study and analyse a selection of novels that represent some of the most significant developments in the genre during the Victorian age. We will explore the ways in which the Victorian novel reflected the most important issues of the day, from industrialisation and political reform to women’s rights and class conflict. The module will also investigate the significance of novelistic subgenres such as Sensation fiction and the late gothic novel during the second half of the nineteenth century, mapping these onto shifting attitudes towards the politics of gender, race and empire.

This module will give you a deep understanding of reporting and writing for journalism in a digital age. You will continue to develop key journalism and storytelling skills throughout the module, including newsgathering, interviewing and writing in a range of styles and for different platforms. There is a particular focus on covering matters of public interest, especially reporting the courts. The module includes a series of industry-like newsdays, allowing you to work to deadlines in a live environment.

This module provides a practical orientation in some of the main genres of film and television, and a training in how to write for them. You will analyse and discuss the narrative structures, character types, and other conventions of a range of genres, and try your hand at writing them yourself. These genres could range from documentary to sitcom, from horror to romantic comedy, or from action movie to period costume drama. Finally, you will become proficient at writing in a particular genre, which you will select from those you have studied. You will produce a script according to a genre-specific brief, and then reflect on the process of writing to the constraints of the familiar generic conventions of the film/television industry.

For more information on when and how we update our modules please see the ‘Legal Information’ section below.

The placement year is your chance to gain hands-on experience and build on the skills you’ve developed in your first two years of study. You’ll spend up to 48 weeks (minimum 36 weeks) in a graduate-level role, sharpening your professional skills, exploring career options, and boosting your future job prospects. During your placement, you'll reflect on your performance, develop real-world skills, and learn to approach your role with a critical eye. Your placement will be monitored, and you’ll be assessed on your achievements, setting you up for success in your final year and beyond.

World Literature is a module that invites you to look beyond the “Englishness” of English Literature. Your reading list will take you on a voyage of discovery around different cultures, countries, and continents, which you will explore through their literary texts. These texts will reflect both the global reach of the English language and the enthralling experience of reading works in translation. Besides embracing the challenges posed by studying works from unfamiliar cultures and traditions, this module will consider some of the important questions raised by the study of world literature, such as the nature of hybridity, the limitations of the canon, and the globalisation of literature.

Exploring the key genres of fantasy and horror, this module allows you to consider how cult status has been incited, sustained and marketed. You will analyse cult film through a blend of film-makers’ and audiences’ agency versus structural (film industry/technological) forces. The module explores whether there are textual attributes through which ‘cult movies’ can be defined, and introduces you to how fantasy and horror film have been theorised in the academy (via cultural-historical, formal, and psychoanalytic approaches, along with others). You will consider a range of horror subgenres, as well as creatively assessing the possibilities for subgeneric innovation; you will also analyse the cultifying processes which have surrounded specific fantasy/horror films.

The Research Dissertation module facilitates your journey to acquiring expertise and specialism in a project allowing you to showcase summative learning across your course. You will be supported in undertaking guided independent research aimed at the generation of original knowledge in the study of media content, industries, practitioners, technologies or users and/or their cultural, social, political and economic premises and consequences. You will synthesise primary and secondary data and sources in your systematic, methodological analysis of a chosen topic in a field reflecting your course such as communication, journalism, film, digital media, entertainment, acting and performance, cultural production, sports media, music or promotional culture. This involves reviewing appropriate literature, identifying and executing a suitable methodology and research design and carrying out appropriate forms of analysis.

You will also choose 2 optional modules in this year. The current optional modules are:

The late nineteenth century witnessed surging interest in the market for popular fiction and the emergence of new genres that responded to and helped to shape public attitudes to empire and criminality through the invention of characters that embodied various forms of heroic and/or demonic masculinity. The ‘Extraordinary Gentlemen’ of this era of popular fiction have retained an appeal that has proved resilient to transformations in attitudes to national identity, class and gender, as well as to the challenging of stigmas associated with ‘otherness’ and queered identities. In this module we will try to understand the basis for the appeal of ‘Extraordinary Gentlemen’ for late-Victorian and Edwardian audiences, and to examine their plasticity and openness to subsequent adaptation.

This module explores British poetry produced in the twentieth century. We may study poets from England, Wales, Scotland, and Ireland. There will be a consideration of political events and their impact on poetry. This may include The Troubles in Ireland and the Thatcher government in Britain. There will also be an exploration of sociopolitical and minority identities which may include gender, race, sexuality, and disability. We will go on a journey, exploring different poetic movements and the development of poetry from the early to late twentieth century.

The twentieth century saw a golden age of experimental playwriting, to rival any since ancient Greece. From the pathos of Arthur Miller’s resurrection of tragedy to the hilarity of Dario Fo’s farces; from the politically motivated criticism of Bertolt Brecht’s plays to the bafflingly enigmatic absurdities of Samuel Beckett’s; from the witty repartee of Tom Stoppard’s dialogue to the grotesque brutality of Sarah Kane’s in-yer-face theatre – this is a unit in which no two weeks are even remotely the same. Besides embarking on an odyssey of innovation and controversy in modern drama, this module will also take you far beyond the English-speaking world, giving you a chance to study playwrights from a range of countries who changed the face of the western tradition of dramatic literature.

For more information on when and how we update our modules please see the ‘Legal Information’ section below.

Teaching and Assessment

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Global Professional Award

At Huddersfield, you’ll study the award-winning Global Professional Award (GPA) alongside your degree* — so you’re ready for the career you want, whatever subject you choose.

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Interested in a placement?

Placements

This course offers the opportunity to complete a 5 week work placement which is an optional element of the second year of the course.

The course also offers an optional one-year (48 weeks) work placement after the second year, in the UK or abroad. This will give you the opportunity to gain valuable hands-on experience, insight into your chosen career and open up your graduate employment prospects.

Previous placement providers have included Pen and Sword Books, Oldham Evening Chronicle, Lotherton Hall, CHP Yorkshire, Rochdale Law Centre and a range of primary and secondary schools.

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The most exciting part of my course is the opportunity to be creative. Film is a really fun subject which can be studied and applied in so many different ways.

- Alex Baron
Film Studies and English Literature BA(Hons)

Where could this lead you?

Your Career

Media, creative and cultural sectors are one of the biggest and fastest growing in the UK. This degree will provide you with a combination of creative, technical and analytical skills for a variety of careers and roles in a rapidly developing digital economy.

75%-85%
Percent of graduates from these subject areas were in work or further study 15 months after graduation

* HESA Graduate Outcomes 22/23, UK Domiciled

The course wasn't just about watching films and History modules. We looked at many other areas of studies such as sociology, media, politics/geo-politics, advertising, philosophy and business. The variety of things that we learnt boosted my chances to adapt to any job scenario.

- Santa Nekrasova
Film Studies and English Literaure BA(Hons) graduate

How much will it cost?

Fees and Finance

£9,790 per year

This information is for Home students applying to study at the University of Huddersfield in the academic year 2026/27.

Please note that tuition fees for subsequent years may rise in line with inflation (RPI-X) and/or Government policy. 

From January 2027 the UK government is launching a new student funding system for people starting university education. Read more about the Lifelong Learning Entitlement (LLE).

For detailed information please visit https://www.hud.ac.uk/study/fees/

£17,600 per year

This information is for international students applying to study at the University of Huddersfield in the academic year 2026/27.

Please note that tuition fees for subsequent years may rise in line with inflation (RPI-X) and/or Government policy. 

For detailed information please visit https://www.hud.ac.uk/international/fees-and-funding/

Home

The tuition fee for a placement year is £1000. If you go on work experience or work placement, you will need to fund your own travel and/or accommodation costs to and from the placement.  Please be aware that if your placement is outside of the UK, you will still be responsible for your travel and living expenses and may need to consider issues like health care and insurance costs.

International

The tuition fee for a placement year is £3,300. If you go on work experience or work placement, you will need to fund your own travel and/or accommodation costs to and from the placement.  Please be aware that if your placement is outside of the UK, you will still be responsible for your travel and living expenses and may need to consider issues like health care and insurance costs.

Academic resources for your studies will be provided throughout the course, including access to library facilities and digital learning platforms. However, you will need to purchase certain set texts required for your modules. These texts are essential for seminar preparation and assessment.
The approximate costs for these purchases are:
• Year 1: £20-50
• Year 2: £20-50
• Year 3: £50-100
The actual amount may vary depending on whether you choose to buy new or second-hand books, or access digital editions where available. We will provide links to free electronic copies of texts wherever these are available.

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If you have any questions about Fees and Finance, please email the Student Finance Team.

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Huddersfield Literature Festival

The Huddersfield Literature Festival is an international literature festival which attracts some of the biggest and best writers in the world. Our students are at the centre of this festival, planning, programming, curating and stewarding events. This has led to a number of our students securing professional careers in festival management.

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Make Huddersfield your home. A Yorkshire town, surrounded by beautiful countryside, with easy access to neighbouring cities; Leeds, Manchester and Sheffield. You’ll find plenty of places to eat, drink, shop and socialise, there’s ambitious plans for future development. Our campus is situated next to the town centre - making your commute a breeze.

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Huddersfield is not only one of the friendliest towns, it also offers you a lower cost of living than most big cities. This means you could have more money to spend, making your uni experience even better. On campus you’ll also find plenty of facilities and services to help you budget and make your money go further.

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At the University of Huddersfield, you’ll find support networks and services to help you get ahead in your studies and social life. Whether you study at undergraduate or postgraduate level, you’ll soon discover that you’re never far away from our dedicated staff and resources to help you to navigate through your personal student journey.

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Inspiring Academics

Our researchers carry out world-leading work that makes a real difference to people’s lives. Staff within the Department of Media, Humanities and the Arts may teach you on this course.

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Research Excellence

You’ll be taught by staff who want to support your learning and share the latest knowledge and research.

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Legal information

When you enrol as a student of the University, your study and time with us will be governed by our terms and conditions, Handbook of Regulations and associated policies. It is important that you familiarise yourself with these as you will be asked to agree to them when you join us as a student. You will find a guide to the key terms here, along with the Student Protection Plan.

Although we always try and ensure we deliver our courses as described, sometimes we may have to make changes for the following reasons:

Changes to a course you have applied for but are not yet enrolled on

If we propose to make a major change to a course that you are holding an offer for, then we will tell you as soon as possible so that you can decide whether to withdraw your application prior to enrolment. We may occasionally have to withdraw a course you have applied for or combine your programme with another programme if we consider this reasonably necessary to ensure a good student experience, for example if there are not enough applicants. Where this is the case we will notify you as soon as reasonably possible and if you are unhappy with the change we will discuss with you other suitable courses we can transfer your application to. If you do not wish to transfer to another course with us, you may cancel your application and we will refund you any deposits or fees you have paid to us.

Changes to your course after you enrol as a student

Changes to option modules

Where your course allows you to choose modules from a range of options, we will review these each year and change them to reflect the expertise of our staff, current trends in research and as a result of student feedback or demand for certain modules. We will always ensure that you have an equivalent range of options to that advertised for the course. We will let you know in good time the options available for you to choose for the following year.

Major changes

We will only make major changes to non-optional modules on a course if it is necessary for us to do so and provided such changes are reasonable. A major change is a change that substantially changes the outcomes, or a significant part of your course, such as the nature of the award or a substantial change to module content, teaching days (part time provision), type of delivery or assessment of the core curriculum. For example, it may be necessary to make a major change to reflect changes in the law or the requirements of the University’s regulators or a commissioning or accrediting body. We may also make changes to improve the course in response to student, examiners’ or other course evaluators’ feedback or to ensure you are being taught current best practice. Major changes may also be necessary because of circumstances outside our reasonable control, such as a key member of staff being unable to teach due to illness, where they have a particular specialism that can’t be adequately covered by other members of staff; or due to pandemics, other disasters (such as fire, flood or war) or changes made by the government.

Major changes would usually be made with effect from the next academic year, but may happen sooner in an emergency. We will notify you as soon as possible should we need to make a major change and will consult with affected groups of students and any changes would only be made in accordance with our regulations. If you reasonably believe that the proposed change will cause you detriment or hardship we will, if appropriate, work with you to try to reduce the adverse effect on you or find an appropriate solution. Where an appropriate solution cannot be found and you let us know before the change takes effect you can cancel your registration and withdraw from the University without liability to the University for any additional tuition fees. We will provide reasonable support to assist you with transferring to another university if you wish to do so and you may be eligible for an exit award depending on how far through your course you are.

In exceptional circumstances, we may, for reasons outside of our control, be forced to discontinue or suspend your course. Where this is the case, a formal exit strategy will be followed in accordance with the student protection plan.

The Office for Students (OfS) is the principal regulator for the University.

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